Art

WALTER SICKERT: GLASS ONLINE

Review of the Sickert retrospective at the Tate Britain.

CHRISTOPHER FERNANDEZ: GLASS MAGAZINE Spring 2022

A profile on the photographer's lockdown Isolation Project.

BEATRIX POTTER: GLASS ONLINE

Review of Drawn to Nature at the Victoria and Albert Museum.

FRANCIS BACON: GLASS ONLINE

Review of Man and Beast at the Royal Academy. 

ANTONIA SHOWERING: GLASS ONLINE

Review of Mixed Emotions at the Timothy Taylor Gallery.

LUBAINA HIMID: GLASS ONLINE 

Review of her solo exhibition at the Tate Modern where she asks big questions.

RITA KEEGAN: GLASS MAGAZINE Winter 2021

In conversation with Rita on her career past. present and future.

HAREWOOD BIENNIAL 2022: GLASS ONLINE

Preview of the upcoming collective show Radical Acts:Why Craft Matters

NANCY CADOGAN: GLASS ONLINE

Review of All The Good Things at the Cadogan hotel.

TOKEN ART: GLASS MAGAZINE Autmn 2021

Exploring the relationship between nfts and their place in art.

ANDY GOTTS: GLASS ONLINE

Review of Icons Portraits at the Maddox gallery on Westbourne Grove.

ANGELA HEISCH: GLASS ONLINE

Review of Burgeon and Remain at the Pippa Houldsworth gallery.

 

THE ART OF IMPERFECTION: GLASS MAGAZINE Spring 2021

How wabi sabi is influencing art and fashion. 

EILEEN AGAR: GLASS ONLINE

Review of Angel of Anarchy at the Whitechapel gallery.

 

LONDON DESIGN BIENNALE 2021: GLASS ONLINE

Reviewing the collective show and it's incorporation with this years theme resonance.

JEAN DUBUFFET: GLASS ONLINE

Review of Brutal Beauty at the Barbican.

CHARLIE PORTER: GLASS ONLINE

Review of Porter's book What Artists Wear published by Penguin.

LIZ WEST: GLASS ONLINE

Review of Hundreds and Thousands at the Greenwich Peninsula.

CONSTANCE READ: F WORD MAGAZINE

Review of Mud exhibition on South Molton street.

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Image courtesy of Constance Read